Archive for October, 2009

30
Oct

Churchill Falls, Anyone?

At a glance, it sounds like a great idea. New Brunswick gets to wipe out a $4.75-billion debt and benefit from the cheap power rates in Quebec. In reality, it’s giving away the keys to the kingdom for a temporary gain.

Assuming NB Power would have raised rates by 3% every year, here’s what that $4.75-billion gets for your average New Brunswick residential ratepayer: A 5-year rate freeze worth less than $25 a month to the average household over those 5 years, and a promise that the rates after that will be indexed to inflation… Unless of course we need more power than Hydro Quebec agrees to give us. Then it’s open season.

Meanwhile, industrial rates would be cut 15 to 30 percent to fall in line with Quebec’s, leaving more money in the pockets of the already-rich. Is it really a surprise that editorials in every major NB newspaper (all are Irving-owned, by the way) are hailing the deal? Sure, it will probably generate a few new jobs, but you’re fooling yourself if you think it’s all coming back to the people.

To make matters worse, New Brunswick gets no taxes from the business Hydro Quebec does in the province, and we’re still on the hook for the refurbishment of the Point Lepreau reactor, even though it goes to HQ as soon as it’s ready. The province also has to keep the dirty and inefficient coal and oil-fired plants at Belledune and Coleson Cove running to sell power back to Hydro Quebec, but HQ reserves the right to order them closed on one year’s notice, potentially dissolving more jobs than this deal will ever create.

What we lose: Tax income, self-sufficiency, New Brunswick’s 6,700 km of transmission lines, and a major point of access to power markets in New England and the rest of the United States. With Newfoundland & Labrador premier Danny Williams looking for a way to get power from the new Lower Churchill Falls generating station to the lucrative markets south of the border, it makes no sense to give away a long-term source of income.

Quebec doesn’t do anything that isn’t in Quebec’s best interests… In 1968, Joey Smallwood got hosed by Quebec on the Churchill Falls deal, and 41 years later it’s still a major point of contention in Newfoundland & Labrador. With Joe Average standing to save about half the cost of a medium Tim Horton’s coffee a day, this deal is nothing but bad news for our province, and if this deal goes through, New Brunswickers will be cursing Shawn Graham’s name for a lot more than 41 years.

27
Oct

Hump Day Sounds – Jason Isbell

Jason Isbell

Jason Isbell joined the Drive by Truckers in time for the Southern Rock Opera. He wrote most of my fave DBT tracks, especially Goddam Lonely Love. His writing was all raw emotion and I wondered if that was due to his writing, or the production style that surrounded most Truckers albums. Well, I figured his new solo album would be the perfect way to find out.

His first solo record, Sirens of the Ditch fell under the radar for me. Nothing really grabbed me about it so it collected dust. His new platter, featuring his band The 400 Unit sat on my iPod on shuffle, repeatedly being skipped over until I let “Soldiers Get Strange” play through.

This is album is literally stunning. It sounds like Isbell, but it doesn’t sound like DBT. His chorus’ are just about perfect. He swells the songs in such a way you feel as though it’s rushing over you.

”Cigarettes and Wine”, “Seven Mile Island” and “Soldiers Get Strange” are standout tracks for me, and “Good” is pretty much my favourite song of the year.

Do yourself a favour and check out Jason Isbell.

26
Oct

Monday Mornings– Telfer, Born This Morning

400So, I was ready to make my way to Moncton to get to the Flogging Molly show. I left early in the morning so I would get there at a half decent time, and be able to hang out before the show. I’ve hitchhiked this road before. Once to see Bad Religion, last September, and once more earlier this year to get to the airport the next morning.

I wasn’t picked up for four and a half hours. I didn’t really stop walking the entire time, and I think I may have messed up my toe somehow. Then, my salvation arrived in the form of an old van, driven by a band manager. He was on his way to Halifax after a tour. After talking to him for a while, explaining the Serious Business, and asking some questions, I found out, the band he manages is Telfer, and he knows Alert the Medic, most of who I’ve gone to school with.

After the hour long drive into Moncton, we parked, and he gave me a copy of Telfer’s Album, Born This Morning, for review on The Serious Business. The first thing I noticed was that there are only ten tracks. A short CD I thought. When I popped it into iTunes I realized that some of the songs were five to six minutes long. It turns into a full length album, but I think it also drags some of the songs on longer than they need to be played, adding in some extended guitar solo to fade out some of the songs doesn‘t exactly fit the mood the rest of the album creates. Though I‘m sure they have their moments, and it‘s good guitar playing, so it‘s warranted.

All in all, it’s a good record though, with a fun, funk rock sound. And with a few slower acoustic songs thrown in, it makes Born This Morning very well rounded. I believe though, from what I hear on the album, that Telfer would be a band to see live to get the entire effect.

Either way, later.

Oct. 24 - Seaside Harvest Festival - Eastern Passage, NS
Oct. 31 - The Celler w/Weak Sized Fish – Fredericton, NB
Nov. 7 - NSMW ‘09 Showcase – Yarmouth, NS
Nov. 12 - The Paramount – Moncton, NB
Nov. 13 - The Capital w/The Free Press – Fredericton, NB
Nov. 14 - The Blue Olive w/The Free Press - Saint John, NB
Nov. 28 - The Seahorse w/Paper Lions – Halifax, NS
Dec. 3/10/17 - The Carleton – Halifax, NS
Dec. 15 - The Seahorse Music NS Open Mic - Halifax, NS

http://www.myspace.com/telfermusic

24
Oct

Life’s a Gambol

Gambol Cover Art

I got an odd little email this morning… Not quite spam, but not quite my usual email, either. It mentioned a band in great detail, including a list of suggested tracks, and my curiosity was piqued (I swear, that proverbial cat had nothing on me!). So I email back with my version of “waaaaaaaaah?” and was told that the email was not a review, but a bio (I’m still not convinced), and that if I wanted, I could get a digital or CD copy of their album to review!

I see.

You’re just using me to get a review, aren’t you, you dirty little musician? ;) Well I’ve got news for you…

DONE! Send it on over!

The album I got is Gravity Wave‘s Gambol and is due to be released on November 3rd.

I assume 2009.

How to begin? I should’ve known this would be a special album when I read that they are “an arty electro-pop album with musical depth” and that “each song is brimming with the rich brass winds, haunting strings, wistful flutes. The album’s mature production puts focus on strong lyrics full of witticisms and metaphor, all delivered with a slick drawl”. Sounded a hint pretentious to me, but then again, a band must sell itself to sell albums…

Ok, ok, I admit, this is not my kind of music. I like my share of brain melts, but this? This was a bit special. Even for me. I like that it takes itself apart from what seems to be popular nowadays; screaming nonsense over bad music and/or annoyingly repetitive annoying repetition. I can see the appeal it would have for some people, and some tunes like “Yo-Yo” and “Popular People” were very catchy, I must admit. Unfortunately, I think they could do without certain… pieces? “Fishhook”, for example, starts off great, but don’t listen to it using head/earphone. Trust me. The piano in this tune sounds like it was attacked by a toddler using his soft plastic hammer toy as a weapon and jumps from one ear to another. It’s painful. Moments like these ruin albums for me.

Amongst the wreckage; however, you will find little nuggets of gold. Hidden under the vocals and mostly good guitar you will find cute little things like a wonderfully played flute and in “Dissolve”, a cute little 8-bit beat. Granted, it’s a tad repetitive, but everyone loves an old video game inspired tune! Spelling buff as I am, I was even amused when I heard them spell d-i-s-s-c-o-v-e-r in “Kumquat” after asking “what’s Yoga food?” Funny!

…right?

All in all, I would not suggest this album for everyone, but I wouldn’t quite go against it, either. It’s not my style and I grieve for their poor piano, but I can see how this would be the proverbial cat’s meow for some people. There was just enough fun stuff to keep me from passing the album to someone else, but it didn’t make it to my iPod.

23
Oct

Friday Rewind V – Crash

Now here’s an album I haven’t listened to in years. I hated Dave Matthews Band when I bought it back in ’98, but a chick I liked was a huge DMB fan, and teenager hormones make strange things happen…

I don’t remember her name, but whoever she was, I owe her some thanks: Crash’s eclectic sound was a total 180 from what I normally listened to, and opened the door for a ton of new music. Counting Crows, Jaco Pastorius’ body of work, Allman Brothers, Grateful Dead, Blues Traveler, etc… I could go on all day.

I was never all the way in love with the album, but I enjoyed it. “Two Step” has one of my favorite song intros ever, “Tripping Billies” has a great bassline (hell, most of the album has a great bassline), and “Crash Into Me” reminds me of the James Taylor records I spent my childhood listening to with my mom, but I could never take the whole record in one sitting.

I can now. This is hands-down my favorite discovery so far in my little flashback journey. Maybe I’ve just “grown up” enough to appreciate the slower tracks, but I found myself wanting more when it was over. The only DMB songs on my iPod before today were “Two Step” and an assortment of live versions of “All Along The Watchtower”, but the whole album’s on there now, and I’m ripping Under The Table And Dreaming later tonight.

I’m looking forward to it.

22
Oct

Religulous (2008)

Religulous3So I’ve seen this movie before, but while stumbling around the Internet I came across a Google Video of Bill Maher’s Religulous. Now, I thought this the first time I watched it, but I only thought to write about it this time. Bill Maher has a good idea with this video!

However, with his good ideas of questioning the existence of God, or gods, he also doesn’t have very many arguments that are, well, good enough. If someone were questioning my belief in a certain deity, should I soundly believe in one, I would want more solid questions than “How can you believe that?”

Bill Maher scrutinizes people for answering his simple question with a simple answer. If he were to ask “How can you believe that?” and get the answer “Because I do.” Frankly I think that’s enough. If he had more complex questions, and didn’t just repeat the same one over and over, I would appreciate this film a lot more. But amoung the everyday believers, he did manage to talk to some authorities, two from the Vatican, and several from other religions as well, including Muslim, and Judism. The two from the Vatican were actually the two that offered up the best points for Maher’s side of the debate.

But again, Maher does have a good idea, and a good meaning behind Religulous. People as a whole need to stop letting religious differences get between them. The most intense war that’s been waging for centuries in the middle east wouldn’t be happening if it weren’t for religion.

It’s an interesting movie, and I would suggest watching it, if not for the ideas being tossed aroung, but for the hilarity in some of the conversations.

Religulous.

21
Oct

The Hump Day Sounds – Big Game Hunt

Big Game Hunt – Goliath (Diminished Fifth Record – 2009)

Halifax’s own Big Game Hunt is a riff monster, much akin to Moncton’s own Iron Giant (Imagine the Giant with Phil Anselmo singing). Over and over they blast out head banging pieces of stoner rock that should have those of the desert persuasion perking up their ears. 

These guys are obviously experienced musicians and you can hear that through Goliath. The way the guitar and bass play together is simply awesome and had me saying “What the fuck?” more than once while going through this record.

 Sometimes slow and lumbering, other times fast and crushing, Goliath is a welcome addition to the Maritime Stoner Rock landscape.

myspace

20
Oct

Rammstein – Liebe Ist Für Alle Da

With my interest in Rammstein waning in recent years, I went into Liebe Ist Für Alle Da (Love Is There For Everyone) expecting it to pick up where Rosenrot and Reise, Reise left off, with a two or three really good tracks and decent to mediocre songs filling the rest of the record…

Remember Sehnsucht? Liebe Ist Für Alle Da is a blazing return to the good old days for the German prog-industrial metal powerhouse. That driving Teutonic sound is back, and smashing you in the face with its viceral intensity.

The opening track “Rammleid” (Ramm Song) intros with a classic Rammstein synth and some choral vocals, before the guitar kicks your teeth in and the musical sequal to Sehnsucht really gets underway. It’s followed by “Ich Tu’ Dir Weh” (I Hurt You), a song reminiscent of “Engel” in the way it shifts between power ballad and marching cadence.

It isn’t all shades of the sophomore album, though. The industrial machine shows a few hints of Mutter’s “Adios” as it rampages into “Waidmanns Heil” (Hunter’s Salute), and “Weiner Blut” (Viennese Blood) takes a page from Reise Reise’s “Mein Teil” in its telling of the Josef Fritzel story.

One track I’m still not sure about is “Pussy” (uh… Pussy). On one hand the song is definitely catchy, and the style and subject matter aren’t out of the ordinary for the band, but with its controversial video and half the lyrics being sung in English, I have a hard time believing that it was anything more than a publicity stunt to get attention outside of their core European market.

Liebe Ist Für Alle Da hits American shelves today and Canadian storefronts on October 27th. It’s available as an eleven track digipack, a two disc Special Edition with 5 bonus tracks (well worth it if you’re an old fan), a Limited Edition pink double LP, and finally a Deluxe “Cutlery” Edition box set, featuring handcuffs, a black bottle of lubricant (featuring the band’s motif), and six pink dildos, all within an aluminum case (featuring a mirror, Rammstein logos, and motifs).

I know which one I’m getting!

19
Oct

Monday Mornings– Mix Tapes.

cassette-tapeSo we all have them, we’ve either gotten one from someone, or made one for somebody else. It’s a staple to anyone who has a music collection that consists of more than one album. Maybe it’s just a compilation of one bands awesome songs, maybe it’s songs you like, but could only record off the radio, you know, the songs you’ve never heard the first fifteen seconds of. A CD for certain moods, happy, sad, angry. Maybe it’s a group of love songs made for that sweetie you dated last summer. No matter what’s on it, they’ve been around for ages. It’s the mix tape.

I remember my first mix tape. I made it at home on an actual cassette. My brother had a lot of Cds, and all I had was a walkman, and blank tapes. So I put on some KISS, some AC/DC, topped it off with Guns and Roses, then added a bunch of crap from the radio in between, and listened to it on the bus to and from school. After that, my mix tape creations went wild. I once got someone to record a KoRn album for me, because it was the only one I hadn’t gotten second hand from a friend. They also put some Limp Bizkit, and Kid Rock on. The music I liked at the time, I might write more about these in a future post.

Once I had this mix tape or rap rock, it took over my life. After school on weekdays, I’d sit and listen to my mix tapes, forever making more. Recording a song from one mix tape to another quickly became a hobby for me. Plus is was fun to listen to Fred Durst is double fast dubbing.

After I got my first Cd walkman, or diskman as I knew them, the tape all but died out for me. Sure, they stuck around, and I’d pop one in once in a while, but the writable CD took over.

I didn’t have a computer of my own, so I had to give out five bucks here and there to get my friends to download the music I wanted and burn it for me. This went on throughout high school, until finally, after graduation, I goy my own computer. I spent most of my time downloading songs from ARES, and burning them to rewritables. It was the dawn of the new mix tape for me. It copied the standard formula, all of one bands awesome songs, or a bunch of bands that sounded good together. I started dating a girl shortly after that, and we exchanged Cds when we were able to get together.

Nowadays though, even the mixed CD is dying out. For a good four years I’d been listening to an mp3 player, which, as much as it’s the same as any older version of a mix tape, it didn’t have that quality to it. There’s just something missing that I can’t put my finger on. Maybe it’s the coldness of technology. Ipods can’t feel the love?

Recently I was excellently surprised by a girl I spent a lot of time with when she made a mixed CD for me. Fantastic! It took me back from the modern day song selection, and random plays to, “I wonder what song is on next!”

So, here’s my task for you. Go out and buy a pack of blank Cds, find some good songs, and add them to the track list. Burn it, scribble a title on it, and pop it into your stereo. Or give it to a special someone. Keep the legacy of the mix tape alive.

Either way, later.

18
Oct

Photo Post:Flogging Molly at the Oxygen 10/15/2009

20091015-DSC_0407

Concert featuring: Dean Lickyer, Inward Eye, and Flogging Molly.

More below.

Continue reading ‘Photo Post:Flogging Molly at the Oxygen 10/15/2009′