Archive for the 'Music Review' Category

14
Jul

Dave Carroll (United Breaks Guitars)

Dave Carroll's Perfect BlueNo I heard through Twitter that Dave Carroll was going to be in Riverview (with Bassist Mike Hiltz and guitarist/back up vocals Chris Pauley) and I got pretty darn excited. Like most of you [I assume], I thought “United Breaks Guitars*?! Woo!” and figured it’d be pretty darn cool to hear that song live.

I also thought I could deal with two hours of live country music if I got to hear United breaks guitars, but I’d be really sad if I didn’t. For the record? I am not a country girl.

I will happily clear this up right off the bat; his music is a well rounded, healthy mix of folk, soft rock a hint of country. A sprinkle of jazz for good measure, too. I was pleasantly surprised at the lack of twang and ‘she stole my heart, my truck and my dog’ lifeless type lyrics.

The play list included songs for every type. Humorous lyrics that had you grinning from ear to ear in his song The death of ol’ Papi, where his poor dad unknowingly eats rotten chicken left in the fridge accidentally for 6 weeks and dies (The chicken is based on true events… but his dad’s ok!). Or even Give me a reason where he sings to his girlfriend about how he’ll be the first to bail if she gives him just one reason to run, and he’s just waiting by the door for it. Not all songs were meant to be funny, though, A woman like you is a love song to his wife so sweet that Disney princesses are glaring at their Prince Charmings saying “All you did for me was slay a stupid dragon.”, equally as touching was Even more tomorrow, a song for his son about how he will always be there with him and will love him “more today, and even more tomorrow”. My husband will curse him for giving my biological clock a good winding with that one!

Lyrics were as impressive in songs like Easy come, Easy go or The place that I call home. Another favourite of mine was the song Now, about living in the moment and not looking too far ahead or sticking too far behind. “Now’s never been, and now never ends. All of your answers are waiting for you here” (my apologies if I’ve misquoted).

Every single piece had me tapping my foot or refraining from dancing like a fool on my chair… or at least trying. In all honesty, the only song that didn’t do it for me wasn’t even his. It was Bruce Sprinsteen’s “I’m on Fire”. I always thought that song was creepy… but he sung it very nicely, nonetheless.

I talked to Dave and shook his hand, got a picture with him. Now all that’s left if to do copy the songs from his Perfect Blue CD (which I bought) to my iPod. I hope I find his other CD soon, too, ’cause I’ll be buying that one in a heartbeat!

Dave and I

Dave and I

*If you haven’t heard of United Breaks Guitars, you can find the story and the videos here. Sadly, it is based on a true story.

19
Apr

Monday Morning– Said the Whale, Islands Dissapear + Show

I had been out a couple times on the weekend already, so I really had no intention to leave my apartment once I had gotten back from work. When I found a message waiting for me from my friend about a Said the Whale show at the Capital, I looked them up and convinced myself to go. I’m so glad I did.

The five piece from Vancouver, BC knew exactly how to put on a good show. I only knew the songs I had quickly looked up on their Myspace before leaving, but when they came on I had no choice but to feel the excitement. And the songs that I didn’t recognize I hoped and prayed were on the album. And they were such amazing crowd pleasers without even trying, making it look effortless to get the entire crowd included to finish a song with a slow chant, or to dance like no ones watching.

Said the Whale has some of the most original music I’ve heard in a long time. Take some rock, some folk, a dash of a sea shanty, shake with a xylophone, and top it with a ukulele, serve over fresh lyrics and enjoy. The upbeat tempo of Out on the Shield, and Camilo mash so perfectly with the slower melodies of A Cold Night Close to the End, and Holly, Ontario to make an album that’s so entertaining, it’s hard to not store it over at the beginning again, and again, and again (which I did as soon as I got home).

If you’re near any of these places on these dates you should most definitely be there.

28 Apr 2010 West End Cultural Center Winnipeg, Manitoba
29 Apr 2010 Amigo’s Saskatoon, Saskatchewan
30 Apr 2010 Starlite Edmonton, Alberta
1 May 2010 Royal Canadian Legion Calgary, Alberta
2 May 2010 Habitat Kelowna, British Columbia
4 May 2010 Sugar Nightclub Victoria, British Columbia
5 May 2010 Commodore Ballroom Vancouver, British Columbia

Official Website
Myspace
Twitter

18
Apr

Subliminal – Cast The First Stone

 

Hell must have frozen over, I have, in my hands a finished copy of Subliminal’s album! For those of you wondering what the big deal is, Subliminal’s ‘Cast The First Stone’ is Moncton’s version of Guns and Roses’ Chinese Democracy. It’s been 8 years since they released their first demo and gladly, unlike Chinese Democracy, it doesn’t suck.

Cast The First Stone sounds really great. While this album is no reinvention of the wheel it’s a very solid, catchy album. A little less Pantera sounding than their first demo, this one is a little more on the stoner side, sounding more like Down mixed with Corrosion of Conformity. On first listen the standout tracks are Dominatrix (which will be stuck in your head after you first hear it), Suicide High and Deliverance while after a few repeat listens The Art of War, Winter Blues and the title track, Cast The First Stone (which will also be a single, release to campus radios soon) stand out as well. I also liked the mix between songs, while each song is pretty straight forward in itself, not really deviating much, the album as a whole has a mix between faster, slower, heavier and mellower songs. I only wished they would have mixed up the track listing a bit as most of the slower songs are near the end while the heavier ones are at the beginning. Lyrically it`s all over the place (in a good way), from songs about lost friends and schoolmates in Suicide High to Art of War that follows a story similar to Run to the Hills by Iron Maiden.

Cast The First Stone is a really great sounding album with no truly bad song, there is no song where I will just skip (except maybe the instrumental, but I tend to find instrumentals boring and this one isn’t the most entertaining one either) and there is something for everyone on this album. This is easily my favourite album of 2010 and will be staying in my car/mp3 player for a long time.

Don’t forget to check Subliminal out on Friday April 30th for the CD Release.

Listen here:
reverbnation
MySpace

12
Apr

Monday Mornings– Johnny Cash, The Man Comes Around.

When I first heard Johnny Cash had died, it hit me. Not as hard as some of his other fans, because at the time, I wasn’t a huge fan. I liked a few of his songs, but it had never really made a huge impact on me. It was just another country singer my Dad listened to.

About a year after he died I started really listening to him. And of course Walk the Line made him interesting to a lot of semi-fans. His music, and especially his voice, started getting to me a lot more than it had before.

While I was shopping for March’s CD purchase, I found Cash: American IV, The Man Comes Around. This was the last album released before he died, the fourth in the series of six. The age in his voice is very prominent, but in no way takes away from anything. This album is hard to put away, I listen to it roughly five times a week ever since I bought it. It’s truly incredible.

Among the songs on American IV, is a cover of Nine Inch Nails Hurt. You’ve probably heard this if you listen to Johnny Cash at all. I think it was the last music video released before his death. It’s very powerful, and very mournful. He also covers Bridge over Troubled Water, Desperado, The Beatle’s In My Life, and a few others.

I’d like to pick up the rest of the American series. I’ve heard some of the songs from the other albums, and they sound fantastic.

I see a lone rider crossing the plain, had he come to fetch me, and see what I’d done. And we’ll ride together to kingdom come. I pray for God’s mercy, for soon I’ll be dead, I hung my head…

29
Mar

Monday Mornings– Here and Now, Studio 31.

So I’ve been skipping my updates the last few weeks to catch up on some sleep, and some mental stability. Lately the music I’ve been listening to was to pass the time, not to think about. An e-mail I got a few days ago was a kick in the ass to get myself going again. So here we go.

Studio 31 was nice enough to send me their album the last time I assaulted a hundred artists on Myspace. The first night I got it, my room mate and I put it in his cd player, and pumped it through some kick ass speakers. It sounded damn good. To be honest, it’s not exactly my type of music, but that’s not to say I don’t think these folks are talented. They definitely are!

Jessica Grant’s vocals are absolutely mesmerizing. And placed against music that sounds straight out of the early ninties, played by Geoffery James, and various high name studio artists it really brings some nostalgia to the record, even when you’re only hearing it for the first time.

The songs are all well written, and sound wonderful, check out the link below and listen to Free to Fly. I have a feeling I’d like Studio 31 live a lot, there would definitely be a lot of character in every song. I didn’t see any tour dates or anything on their site, so I’m kinda waiting on that, but I’ll make a note of it should anything come up.

Either way, later.

www.myspace.com/studio31music

02
Mar

East Coast Loud

I headed out Friday night to the East Coast Loud tour. Six of the East Coasts loudest and most brutal bands doing a quick Maritime Tour making their way to Cape Breton for this years East Coast Music Awards. All six bands on the tour are nominated for awards this year under the Loud category, now in it’s second year thanks in large part to Josh Hogan, founder of Diminished Fifth Records, based out of Halifax/Dartmouth Nova Scotia.

I was never a big metal guy until Josh started throwing all this music at me. While I’m still not an expert, I’ve become a bit more well versed than before, and this night was going to help me get into it that much more. I’m going to apologize in advance to Shelter With Thieves. I’ve heard wonderful things about you guys, but 1:30 am is a late start time, and my days start early. I’ll check you all out next time you’re in town, I promise. Your guy looks cute in a toque.

I got to the Manhattan about halfway through the first set. Halifax’s Big Game Hunt were bringing their Down style stoner metal to us. Their guitar player was rocking a 12 string Les Paul style rig that sounded as awesome as it looked. It was fantastic to hear a few tunes from Goliath played live and loud. Their stage presence was a bit lacking, but the sound just about made up for it. And I’m still not sure how that drummer plays with his kit so LOW!

Uncooperative Death took the stage next. I wasn’t very impressed with their album. I missed about half the set talking with Jonah of The Motorleague & Something Delicious, and Ross from The Swiftkicks. What I did catch was alright. They’re talented musicians, no doubt, but the songs don’t seem to have much cohesion, or coherence for that matter. I hope they’ll be able to choose one of their many influences and go with that for a while. It’s a bit much, coming from all angles and at some times it sounds a bit sloppy.

The Motorleague took third spot. I don’t know what I can say about these guys that I haven’t said before. They’re fantastic. They’re getting tighter. The new songs are excellent. They just got back from Toronto where they were recording the follow up to Black Noise. If you haven’t seen The Motes, do yourself a favor and check them out next time they roll through your area.

We, the Undersigned hit clean up for this show. I’ve been gushing about their record, Bleed the Constants for a while now. It made my top 10 for the year, easily. These guys are in the same boat as Uncooperative Death in that they have a lot of influences, and they all bleed through in their songs, but where UD lacks, WtU makes up the difference. While cohesive isn’t a word I’d use, coherent is. Their songs made sense. They were no doubt the tightest band of the night that I got to see. Their stage presence was ridiculous, and their frontman is one of the best I’ve seen in a long time.

Black Moor was up after WtU, and during a semi-final Olympic Hockey game where Canada nearly lost it to the Slovaks. Despite the crowd spending half their time watching the big TV screen next to them, Black Moor put on a great show. They’re a great throwback band. They have fantastic influences worn on their sleeves, but manage to pay some great respect to it. Without a doubt one of the best all around metal bands coming through right now. That being said, their frontman should stop talking between songs. Silence is golden, young man.

All in all the East Coast Loud tour Moncton stop was fantastic. I’m sure Shelter With Thieves ripped it up, and the other 5 bands, while they weren’t all my thing, definitely gave it their all. Give some of these local guys a chance when they hit up your area.

Big Game Hunt
Uncooperative Death
The Motorleague
We, the Undersigned
Black Moor
Shelter With Thieves

28
Jan

Music Review: COP SHADES

COP SHADES – COP SHADES (EP) (Superbob Records)

They say math is the universal language, a title it shares with music. I fuckin’ hate math, but I love music so I thought “hey, let’s bring together something I hate with something I love to describe COP SHADES. Here’s what I’ve got;

(Death From Above 1979 – MSTRKRFT) + Kyuss = COP SHADES

Heavy, groovy, fuzzy, screamy, and just a bit dancy. COP SHADES comes from the same stable of talent that brought us The Woods, The Millers, and The Peter Parkers so you know this shit is good.

Equally influenced by fuzzed out stoner rock a la Brant Bjork, noise rock a la Sonic Youth and dance punk a la Electric Six, COP SHADES will make you dance, and make you uncomfortable, like that uncle that keeps telling you how good you look.

myspace

25
Jan

Monday Mornings– Rancid, Let the Dominoes Fall (acoustic).

B0026IUSZ6Rancid has always been one of the biggest band sin punk for me and my friends. After I bought Indestructible in 2003 I wanted to see what they would do next. Their next full length album, Let the Dominoes Fall showed just what they had in store.

Of course, when I found it in the store I had two options, the album, or the Deluxe Album with collectors edition guitar picks, posters, and the acoustic version of Let the Dominoes Fall. Obviously I got this one.

Rancid wanted to show their fans what it’s like when their first making their songs on acoustic guitars, before transferring them to the raw, album version. This album has acoustic versions of eleven songs from the finished album, as well as one b-side song, Outgunned, which I wish had made the final cut for the album.

It’s fun to listen to this album because the different sound almost makes it a new song. One line sung in a punk song can mean something completely different if it’s sung in a folk style song. I’m really glad the boys from Rancid decided to do this, it shows that they’re not afraid to do anything with their music. Rancid was good, but they can only get better from here.

Later.

11
Jan

Monday Morning Music– Olenka and the Autumn Lovers.

SELFTITLED_albumcoverSo the house that I used to live in was big into couch surfing. That’s where you join the website (www.couchsurfing.org), make a profile, and share your couch with travellers, or vice versa. At the time, Olenka and the Autumn lovers we playing in Fredericton, and ended up needing a place to stay. Of course the landlord offered them couches to sleep on. Since then they’ve played in Fredericton twice.

My point? I never got to meet them, and I was always too busy to see their shows, despite everyone telling me that I’d have liked them.

I do.

After receiving their albums through the mail I finally got to hear Olenka and the Autumn Lovers. There’s a lot of diversity, even on one album, in their music. And true as that may be, they pull it all together to make the album sound almost the same the whole way through. Not in a bad way either. The whole thing plays through like some awkward, mournful waltz, calming down for every other song to a slow, melody between Olenka and the guitar. Olenka’s voice in very nice in the most perculiar way, and makes for very interesting vocal tracks, and the musicians are all incredibly talented, and show it through out the entire album.

Another interesting fact is that the album cover, as you see in the picture, is all done by Olenka. The picture is a little hard to see, but when holding the album in you really see the detail going into it.

I hope that the next time they are through Fredericton I can get a chance to see them. It’s good music for sitting and watching the rain, though, I’ve never got to try that yet, I will make a point of it in the spring.

Either way, later.

14
Dec

Monday Mornings– A Santa Cause Vol. 1&2

B0000DF2KQSo the Christmas season is upon us, the malls are decked, Christmas tunes are playing in the grocery stores, and Swiss Chalet is serving their Festive Special. If you’re like me, you steer away from what everyone else says, and might even like a few of the Christmas songs that play 24 hours a day in every store you visit. And also if you’re like me, you’d like to hear these songs played by punk bands.

A Santa Cause, punk rock Christmas songs volumes one and two delivers! The originals are a bit off, since, well, lets face it, original Christmas songs, just aren’t always that great. But there are a couple of gems among them, like Blink-182‘s I Wont Be Home for Christmas. And the traditional songs are awesome. A good hard cover of White Christmas, or Jingle Bells is just what the season needs to get the hard core kids into the spirit of Christmas.

Volume one had a percentage of sales going towards the Elizabeth Glaser Pediatric AIDS foundation, while Volume two gave to Cure Autism Now. Hence the Cause. The last record was released in ‘06 so I’m losing hope that more will be released, but I’ll keep looking for another cover of John Lennon’s Happy Christmas, or Paul’s Wonderful Christmas Time, and adding a cover of White Christmas, and Meli Kelikimaka to my wish list.

Either way, Feliz Navidad!