Author Archive for iamawildparty

11
Apr

The Wind Up Radio Sessions

The Wind Up Radio Sessions – Red Brick House

Wind Up Radio Sessions are two brothers from just outside Donut Rock City, Ontario who over the years have cobbled together enough songs to put out a record.

“Red Brick House” isn’t a jump out and grab you by the throat record. There are well-crafted songs on here but some of the luster is lost on the vocals. Neither brother seems to have a very strong vocal delivery. I’m not sure if it’s an issue of their voices not lending well to their songs, but there is something a bit off on a few of the tunes.

That being said, the brothers do have a knack for songwriting. Despite the shortcomings in their vocals, the songs are still stuck in my head. Their use of layering and different instruments helps to build each song so that it sounds full, but not overinduldged.

All in all this is a solid debut. I look forward to hearing what comes down the pipeline from these guys as they become more road-worn, and comfortable in their voices.

buy here

05
Apr

Rage Against the Machine – Evil Empire

When I was growing up, my parents were pretty strict. The thing they were most strict about was music. Until I was 16, I wasn’t allowed to buy music, and I wasn’t allowed to watch MuchMusic. The summer I turned 16 I had a job. I had my own money. And I was living away from home. In my infinite wisdom, I went to the only record shop in the city town community I was in, and bought Evil Empire. I had managed to sneak in some music video time while my parents were out one night and heard Bulls on Parade. My little mind was blown. I listened to it non-stop for a long time. I love all of the Rage albums, but Evil Empire was the biggest impact for me. It was heavy, and funky, and it was the album with the most rap as far as I remember. I listened to it so much, certain phrases will trigger a song on repeat for hours.

Revisit this. Do yourself a favour. The Bulls are on Parade.

05
Apr

Kalle Mattson – Whisper Bee

I think I’m having a writers block, because when I listen to music lately, I can describe it, but usually very poorly. Kalle Mattson is going to suffer that fate tonight. It’s a good record. Well written songs, and some neat vocals and lyrics.

“But Joe, what does it sound like?”

Well dear reader (all one of you) it sounds like 8 years ago. 2002. It sounds like the first Wintersleep record, and it sounds like Reconstruction Site, and it sounds like every Ontario band that came through Moncton, except for the ones on Smallman Records. It sounds good. It doesn’t sound forced. But it doesn’t sound urgent. It doesn’t sound like it’s hungry.

Kalle Mattson needs to drink more, and needs to get dumped 3 or 4 times.

18
Mar

The Sheepdogs

There’s something about getting to see a band live. Some bands can win you over with the live show. Some bands can cement a relationship with their live show. Still others can lose a lot of fans with their live show.

A recent purge of my inbox brought me to an email about The Sheepdogs. I was feeling a little more frisky than usual, so I downloaded the free mp3 included and read through their upcoming tour dates. The Sheepdogs are 4 men of various stages of facial hair from ‘Toon town, in Saskatchewan. They specialize in a very well done brand of 70’s style rock and roll. To be truthful, it’s nothing you’ve never heard before. If you heard The Sheepdogs on local classic rock radio in between The Doobie Brothers and The Guess Who, you’d never realize they were young whippersnappers. It’s a good record, clean and polished, and tight as all get out.

Their live show is where the get you. They were making a swing through Moncton Rock City so I made a trek to the old Plan B lounge. What I found were four dudes who while remaining true to the structure of their songs, made it just dirty enough to stand out. Professional through and through these guys put on a seriously gritty show despite only 3 people there to see them, the rest being there because the venue sold beer and had no cover charge.

I hope these guys decide to make their way to these parts again, and I hope next time they can have a local opener to draw some fans out for them! Check out the Sheepdogs and come see them with me next time they come to Moncton.

myspace

02
Mar

East Coast Loud

I headed out Friday night to the East Coast Loud tour. Six of the East Coasts loudest and most brutal bands doing a quick Maritime Tour making their way to Cape Breton for this years East Coast Music Awards. All six bands on the tour are nominated for awards this year under the Loud category, now in it’s second year thanks in large part to Josh Hogan, founder of Diminished Fifth Records, based out of Halifax/Dartmouth Nova Scotia.

I was never a big metal guy until Josh started throwing all this music at me. While I’m still not an expert, I’ve become a bit more well versed than before, and this night was going to help me get into it that much more. I’m going to apologize in advance to Shelter With Thieves. I’ve heard wonderful things about you guys, but 1:30 am is a late start time, and my days start early. I’ll check you all out next time you’re in town, I promise. Your guy looks cute in a toque.

I got to the Manhattan about halfway through the first set. Halifax’s Big Game Hunt were bringing their Down style stoner metal to us. Their guitar player was rocking a 12 string Les Paul style rig that sounded as awesome as it looked. It was fantastic to hear a few tunes from Goliath played live and loud. Their stage presence was a bit lacking, but the sound just about made up for it. And I’m still not sure how that drummer plays with his kit so LOW!

Uncooperative Death took the stage next. I wasn’t very impressed with their album. I missed about half the set talking with Jonah of The Motorleague & Something Delicious, and Ross from The Swiftkicks. What I did catch was alright. They’re talented musicians, no doubt, but the songs don’t seem to have much cohesion, or coherence for that matter. I hope they’ll be able to choose one of their many influences and go with that for a while. It’s a bit much, coming from all angles and at some times it sounds a bit sloppy.

The Motorleague took third spot. I don’t know what I can say about these guys that I haven’t said before. They’re fantastic. They’re getting tighter. The new songs are excellent. They just got back from Toronto where they were recording the follow up to Black Noise. If you haven’t seen The Motes, do yourself a favor and check them out next time they roll through your area.

We, the Undersigned hit clean up for this show. I’ve been gushing about their record, Bleed the Constants for a while now. It made my top 10 for the year, easily. These guys are in the same boat as Uncooperative Death in that they have a lot of influences, and they all bleed through in their songs, but where UD lacks, WtU makes up the difference. While cohesive isn’t a word I’d use, coherent is. Their songs made sense. They were no doubt the tightest band of the night that I got to see. Their stage presence was ridiculous, and their frontman is one of the best I’ve seen in a long time.

Black Moor was up after WtU, and during a semi-final Olympic Hockey game where Canada nearly lost it to the Slovaks. Despite the crowd spending half their time watching the big TV screen next to them, Black Moor put on a great show. They’re a great throwback band. They have fantastic influences worn on their sleeves, but manage to pay some great respect to it. Without a doubt one of the best all around metal bands coming through right now. That being said, their frontman should stop talking between songs. Silence is golden, young man.

All in all the East Coast Loud tour Moncton stop was fantastic. I’m sure Shelter With Thieves ripped it up, and the other 5 bands, while they weren’t all my thing, definitely gave it their all. Give some of these local guys a chance when they hit up your area.

Big Game Hunt
Uncooperative Death
The Motorleague
We, the Undersigned
Black Moor
Shelter With Thieves

25
Feb

East Coast Loud Tour

Tomorrow night 5 super heavy and super loud and super awesome bands are playing at the Manhattan here in Moncton. I’m going. Were you on the fence about this show? I thought you might be. So, to help you make your decision, here’s a little zip file with 4 songs from 4 of the bands. I didn’t have anything from Shelter With Thieves. If you’re in Shelter With Thieves, hit me up so I can get a copy of your new record. If you want to.

Anyhow, go download this, and I’ll see you at the show.

show info

songs

25
Feb

The Dojo Workhorse

The Dojo Workhorse – Weapons Grade Romantic

Whether you’re a big music person or not, music engrains itself into your life. Songs you hear in passing, on tv, or at the mall, remind you of someplace, or something, or most often someone. If you’re a big music person, some albums, or songs become part of daily or weekly routine. I know if I’m having a bad day, a quick run through “Bombs Over Baghdad” by Outkast sets me straight in no time. Daily listens to “O” by Damien Rice, and Cursive’s “Domestica” both got me through my big heartbreak.

Now, as a (very) amateur critic, I listen to a lot of music, and there are some records come through that, while they’re great, don’t become part of that routine, or part of my life. Two records lately have. First, was the new The Dudes record. I reviewed it a while back. It’s fantastic. I still listen to it at least 5 times a week. But Dan Vacon has put out a side project record. The Dojo Workhorse is the exact opposite of a Dudes record. It’s not as heavy. It’s not as boisterous. One person described the gap as the Dudes being the party record, and the Dojo Workhorse being the hangover record.

Vacon touches on some things on Weapon’s Grade Romantic that everybody goes through, but talks about it with some wit, and some excellent wordplay. “Ohio” is my favourite example of that where he opens the song with;

My sweet Angel
If you’re near me
Spread your wings
and get us the F out of here

He’s a clever man with razor sharp words, and a voice that’s more R&B than R&R, but he’s managed to make it work. This record sits in my car. If I’m not listening to Fisher Price Little People, I’m listening to Weapon’s Grade Romantic. While I drive to the grocery store to get diapers.

myspace

23
Feb

I’m sorry, Cuff the Duke

Cuff the Duke – Way Down Here

Despite my odd-ball musical leanings, sometimes I’m very close-minded. There are certain bands, or artists that regardless of who they play with, what genre they play, and what label they’re on, I just completely sleep on. I don’t trust the data and I stay away. For example, a friend of mine told me about a band that played alt-country in the vein of Blue Rodeo. They’d actually done some work with Greg Keelor, my favourite Blue Rodeo guy. And they even put out their first album on Hayden’s Hardwood Records. All this information written in black and white makes me wonder why I’ve taken so long to actually listen to Cuff the Duke.

I guess in my old age, I’m starting to look at things more subjectivelly. Starting to be a little more open to these new things. Maybe it’s because I’m a parent. Maybe it’s because of my full time job. Maybe I’m just growing up. I read an ad for the new Cuff album in a magazine mentioning the Keelor connection. I remembered seeing Hardwood Records on their website. I remember they played here in Moncton with Blue Rodeo. Finally my guard came down and I said to myself “Joe, you need to hear this album. Get over yourself.” A quick email and a few days later, and the fine folks at Universal Music Canada had the cd on it’s way.

This is a great record. Musically, Cuff the Duke are fantastic. They sound solid, and tight. There’s a great similarity in the songwriting style to Blue Rodeo. I don’t consider it a rip-off, but more of a hommage. It’s just enough Blue Rodeo to pull people in. Once you’re in and you start listening around, you start to hear Cuff the Duke. You hear the dissimilarities in the voices. You hear the differences in the harmonies. You hear differences in the songwriting. You hear that in fact, Cuff the Duke has made their own great Canadiana album. One that will stand up over time. I hate to sound like I’m jumping the bandwagon here because of my long-standing indifference for these guys, but I think we’re standing with our countries next Blue Rodeo. A band that will, largely, not misstep with their music. That will take their time with each record and be happy with them, so that we can be happy with them. Don’t miss out. Pick up this record. Become a fan. Don’t do like I did.

official site

22
Feb

Album Review; Daniel, Fred & Julie

Daniel, Fred & Julie

The idea behind Daniel Fred and Julie is a singer songwriter fairy tale. Three people all head east, set up some chairs in a garage, and press record. No overdubs, no multitracking, just hit it and go. My interest in this record came as a surprise to me. I never liked Eric’s Trip, or any of Julie’s solo stuff. That’s absolute blasphemy in Moncton, my hometown, but I don’t care. I’ve never heard Attack in Black, and the one time I saw Shotgun and Jaybird, I was amazed watching them set up, but let down when they actually played. But, the story behind the record is what drew me in. Daniel from Attack in Black hopped on a train with a couple of guitars, and a folk songbook. They hung out in Fred’s garage in Sackville for a few days and just sang. Proudly presented in Mono, the record relies solely on the quality of the songs, and arrangements to get the point across. Like an old timey “Creek Drank the Cradle”, if you would. The one take, no overdubs quality of the record makes for an honesty that’s missing from a lot of the music I’ve been hearing lately. Slightly missed harmonies, and off time tempos aren’t rampant, but noticeable and most certainly welcome! It’s a real record, full of time tested and true songs. If you’re a fan of any of these artists, or just want something fresh, pick up Daniel, Fred, and Julie and take a listen.

Here’s a link to the www.herohill.ca review which has a track by track breakdown by Daniel Romano.

myspace

18
Feb

Ninja Assassin – Bad Movie Alert

Dear Larry & Other Wazowski,

I loved The Matrix. I even loved the two follow ups. I went to see them in the theatre back when I didn’t like movie theatres. That’s my devotion to The Matrix. So when I saw a preview for Ninja Assassin, I got pretty excited. The guys who did The Matrix are now doing super awesome ninja movies? Fantastic!

You two have let me down.

Now, I’m going to be real about this. I only watched 10 minutes of this movie. But the 10 minutes I watched were enough to make sure I never watch another one of your movies ever again. I’ll have to watch Return of the Dragon 300 times before I can even begin to wash my brain of the garbage the both of you put on my TV screen. I’m not sure what you were thinking, but seriously. The next time you want to pull off something like this, call me first. Seriously.

I mean, I’ll admit, Keanu Reeves isn’t a great actor. Anybody can tell you that. He’s been very smart at picking the right roles, but he’s never been a great actor. But Laurence Fishburne is a great actor. Carrie Anne Moss is a great actress. Hugo Weaving is fantastic. Old KiKi had a supporting cast. I don’t know who any of these dudes you found for Ninja Assassin are, but man oh man oh man! They stink! Now, the argument may be made that it’s not supposed to be good acting, it’s supposed to be good fighting. To me, that’s a cop out. YOU MADE THE MATRIX!!! The perfect blend of action, fighting, acting and storyline! Don’t step backwards! Move forward!

I’m so upset I can’t even say anything else. this movie was bad. It was childish. It was poorly acted. The fight scenes weren’t even that great.

Wachowski brothers, I’m going to watch Ong Bak. You should too. Maybe you’ll learn something.

Hugs & Kisses,

Joe